It’s a Spring
Morning
It’s a Spring
morning, and April, and the world over
Beautiful girls
and their lovers wake and laugh with the sun,
And flowers lift
their heads, and thrushes call from the gardens,
And the War, the
War, is done.
They buried her soldier-lover,
heaped the earth over,
Beautiful girls
and their lovers wake, but he does not stir,
They buried him
cold at night with Love and Youth and Laughter,
And the sad, sad
heart of her.
—May Wedderburn Cannan*
“It’s a Spring
Morning” appears in The Splendid Days (1919),
the book of poetry May Cannan dedicated to B.B.Q.-C., her fiancé, Bevil Brian
Quiller-Couch. May and Bevil had known
each other nearly all their lives, as their fathers were close friends, but
they didn’t become engaged until after the war had ended.
Quiller-Couch
had entered the Great War in its early days, and for four years saw some of the
heaviest action, fighting with the Royal Field Artillery at Mons,
Aisne, the First Battle of Ypres, Festubert, the Somme, the Third Battle of
Ypres, and Cambrai. In the first letter he sent to May in early 1915, Bevil wrote,
“Things are very quiet now after the strenuous days of the Aisne and Ypres… I
hope we shall be dancing together again this time next year.” A year later, he
was still in France, and wrote to her from the Somme: “The noise is deafening day
and night without even ten minutes peace … we are digging like moles … you
should see me, black with dust and dirt, burnt with the sun and always hot.” In 1917, May sent him a copy of her first
published book of poems In War Time, and
Bevil replied,
If
a heathen can be grateful for a work of art, I feel he must write and thank you
for the pleasure it gave to read these poems.
Out here I have read more books than during the rest of my life, not
perhaps saying much.
Quiller-Couch’s
battery fired their last shots of the war on November 5, 1918. Bevil had
earlier written to May, “I shall put in for Paris leave as soon as this is over
and just blow into your office”** (she was working with British Intelligence at
the War Office in Paris), and on November 13th, he arrived. May wrote in her autobiography,
…
he fetched me from the Office at one and we walked down to the Pont d’Alma, and
there, looking down into the waters of the Seine, hurrying by and having known
other wars and other lovers, he asked me to marry him.***
Their reunion
lasted five days, during which time they visited Versailles and shared riverside
picnics, long walks, and meals in French cafés.
She preserved the memories in the poem “Paris Leave”:
Do
you remember, in Paris, how we two dined
On
your Leave’s last night,
And
the happy people around us who laughed and sang,
And
the great blaze of light.
And
the big bow-window over the boulevard
Where
our table stood,
And
the old French waitress who patted your shoulder and
Told
us that love was good.
Bevil confessed
to May that he had intended to propose to her before leaving for France in
1914, but after his request for leave was denied, he had come to think the
better of it, reasoning that “if my family had to suffer because I was out here
it was right that no more should.” May protested his decision, for as she saw
it, “In thinking to save me anxiety, dear Heart, he had deprived me of the
precious right to be anxious. Going alone to his war he had left me lonely in
mine.Ӽ
Required to rejoin his regiment, Bevil marched with them to Germany, where they had been assigned to post-war occupation duty. He wrote of his engagement to his father: “I know one thing—you all love May and will know that I am luckier than I deserve … I was perhaps more in luck in the whole fall of events than any man ought to be.”ºº As Bevil was scheduled to be demobilised at the end of February, the couple set their wedding date for June 3, 1919. On February 2, Bevil wrote to May,
I
have visions of being with you about the 25th of this month…. I am
writing this in bed as I am very lazy, having caught a small chill. I have stayed in bed for breakfast; when one
lived in holes in the ground I never caught chills which seems rather
silly. It must have been the sudden
change.°°°
He died the morning
of February 6th, a victim of the Spanish flu pandemic. May was with his parents in Cornwall at their
family home in Fowey when she learned of Bevil's death; she and his father were denied permission to travel to
Germany for the funeral. May wrote,
Fowey War Memorial |
I
think the whole town mourned for him. They had known him as a small boy in a
red beret rowing his dinghy about the harbour, going fishing with Groze the
boatman, sailing with his sister and his Oxford friends. He had a smile, they said, and a greeting for
everyone, and in the war when he came on leave, a man grown and with
responsibilities heavy upon him and the knowledge of war, there was still the
same smile and the same kindly question of how things were with them; the same
invincible cheerfulness.
The wind blew in salt from the sea,
and at night, looking from my window, I could see the riding-lights of the
ships in the harbor…. The stars came out and hung above the hill, and dawn came
and the ships put out their riding-lights, and the windows went blank and the
stars faded—and he would never come home any more.†
Apart from her poem "Rouen," Cannan’s war
poetry is seldom included in modern anthologies. Her poems do not bear
eye-witness account to combat, nor does she protest the war. In her autobiography, Cannan explained,
A
saying went round, “Went to the war with Rupert Brooke and came home with
Siegfried Sassoon.” I had much admired some of Sassoon’s verse but I was not
coming home with him. Someone must go on
writing for those who were still convinced of the right of the cause for which
they had taken up arms.††
---------------------------------------------------------------------------------------------------------------
* Other poems by
May Wedderburn Cannan appearing on this blog include “Since
They Have Died,” “France,”
and “Paris,
November 11, 1918.”
** Bevil
Quiller-Couch letters cited in Tears of
War, edited by Charlotte Fyfe, Cavalier Books, 2000, pp. 39, 54, 67, 88.
*** May
Wedderburn Cannan, Grey Ghosts and
Voices, Roundwood Press, 1976, p. 139.
º Cannan, Grey Ghosts, pp. 140, 141.
ºº Bevil
Quiller-Couch letter cited in Tears of
War, p. 92.
ººº Bevil
Quiller-Couch letter cited in Tears of
War, p. 115.
† Cannan, Grey Ghosts, p. 146.
†† Cannan, Grey Ghosts, p. 113.
That is tragic - I had read some of her poems, but didn't know the story behind them. For him to go through all that and to feel happiness within reach, then to be so cruelly denied - so so cruel. Thank you for sharing this.
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