Royal Irish Rifle Troops at the Somme, July 1, 1916 |
We few, we happy few, we band of brothers;For he to-day that sheds his blood with meShall be my brother; be he ne'er so vile,This day shall gentle his condition;And gentlemen in England now a-bedShall think themselves accurs'd they were not here,And hold their manhoods cheap whiles any speaksThat fought with us upon Saint Crispin's day.—Shakespeare’s Henry V
Kings, emperors, industrialists and aristocrats: the wealthy and powerful have always needed the poor to fight in their wars and have promised rewards and honors for that service. In October of 1914, American poet Christopher Morley wrote of the disparity between rich and poor, starkly contrasting the burdens each were expected to shoulder in the First World War.
Peasant and King
What the Peasants of Europe are Thinking
You who put faith in your banks and brigades,
Drank and ate largely, slept easy at night,
Hoarded your lyddite and polished the blades,
Let down upon us this blistering blight—
You who played grandly the easiest game,
Now can you shoulder the weight of the same?
Say, can you fight?
Here is the tragedy: losing or winning
Who profits a copper? Who garners the fruit?
From bloodiest ending to futile beginning
Ours is the blood, and the sorrow to boot.
Muster your music, flutter your flags,
Ours are the hunger, the wounds, and the rags.
Say, can you shoot?
Down in the muck and despair of the trenches
Tsar and Russian troops |
Comes not the moment of bitterest need;
Over the sweat and the groans and the stenches
There is a joy in the valorous deed—
But, lying wounded, what one forgets
You and your ribbons and d——d epaulettes—
Say do you bleed?
This is your game: it was none of our choosing—
We are the pawns with whom you have played.
Yours is the winning and ours is the losing,
But, when the penalties have to be paid,
We who are left, and our womenfolk, too,
Rulers of Europe, will settle with you—
You, and your trade.
October, 1914.
—Christopher Morley
The poem appeared in Morley’s Songs for a Little House (1917). Similar sentiments are voiced in Siegfried Sassoon’s “They” and Grace Isabel Colbron’s “The Ballad of Bethlehem Steel.”
Christopher Morley |
Morley was one of the most prolific writers of the early twentieth-century, author of more than 100 novels, essay collections, and poetry volumes. He was perhaps best known for his 1939 novel Kitty Foyle, which was made into a popular film. When Morley died in 1957, his obituary in the New York Times recalled that he was “Known for his whimsy—a word he loathed to hear in reference to his works” and that he “preferred to regard himself as a poet above all else.”*
Several years before his death, Morley offered this advice: “Read, every day, something no one else is reading. Think, every day, something no one else is thinking. Do, every day, something no one else would be silly enough to do. It is bad for the mind to be always part of unanimity.**
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* “Christopher Morley, Author, 66, Is Dead,” New York Times, 29 March 1957.
** Christopther Morley, “Brief Case; or, Every Man His Own Bartlett,” The Saturday Review of Literature, 6 Nov. 1948, p. 20.
Hi Connie, Thank you for another wonderful post. Do you have a copy of Catherine W. Reilly's "English Poetry of the First World War: A Bibliography" (St. Martin's Press, New York, 1978)? Christopher Morley is in Reilly's List of Australian, Canadian, New Zealand, South African and American WW1 poets - at the back of the main body of the book - page 398. Oh to have time to research them all!! Best wishes from Lucy
ReplyDeleteDear Lucy, thanks for reading and commenting. I'd be lost without my copy of Reilly's Bibliography -- and it seems there's never enough time to research them all. :)
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